Sunday, October 6, 2013

Young People



A Poignant Fox Farewell for Shirley Temple
"Young People" was Shirley Temple's final film under contract at Twentieth-Century Fox. Although she would go on to make some excellent movies as a teenager and young adult, "Young People" effectively marked the end of her reign as a child star.

In this picture Temple plays Wendy Ballentine, the adopted daughter of two vaudeville stars (Jack Oakie and Charlotte Greenwood). She literally grows up onstage (just as Temple grew up before film audiences in the 1930s), stealing scenes from her parents and becoming an integral part of the act.

However, the Ballentines yearn for a more stable and "normal" existence, and, thus, retire from show business to take up residence in a hamlet in the countryside. It isn't an easy transition: the townsfolk seem to have a poor opinion of "show people" and shun the Ballentine family. Wendy also has trouble adjusting to life offstage: she reads "Variety" at home, teaches her entire class to do...

A sweet movie, you can watch with your kids
My six year old daughter and I watched this film together and enjoyed it very much. Shirley Temple as always, gave it her best, as well as the other actors. The story is touching and teaches children about the importance of being open to change. It teaches about caring for your fellow man, and being a good citizen. I would recommend this for parents and young children to watch together.

Temple's last Fox musical
YOUNG PEOPLE (1940) was, despite it's mix of the regular Temple movie trappings, an even bigger flop at the box office than THE BLUE BIRD, released earlier that same year. Back in black-and-white, and with the "child star" cuteness becoming a slightly uncomfortable fit for the rapidly maturing twelve-year-old Temple, it lacks a certain zest; although Temple gives a great performance and is matched every step of the way by her co-stars Jack Oakie and Charlotte Greenwood.

The story follows vaudeville team Joe and Kitty Ballantine (Oakie and Greenwood) and their adopted daughter Wendy (Temple) as they attempt to retire on a farm in New England, only to find hostility and scorn from their old-fashioned, small-minded neighbours.

This was Shirley's last movie for Fox. After her two failures in 1940 (and with no scripts on the immediate horizon), it was decided, in an agreement between producer Darryl F. Zanuck and Temple's parents, to finally terminate her contract...

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